！DIASPORA

临界之地
 

策展人｜Curator：潘晟熹 | Mason Pan
 

展览顾问｜EExhibition Consultant： 段少峰｜Duan Shaofeng
 

开幕时间｜Exhibition Opening：2025.7.26 15:00
 

展览时间｜Duration：2025.7.26 - 2025.8.16
 

展览地点：北京市朝阳区798艺术区797路A01楼

Location: Building A01, No. 797 Road, 798 Art District,Chaoyang District, Beijing
 

谷贺祥，靠近的城市，Approaching the City，2025数码绘画，Digital painting，60x40cm
 

李卫一，新象征主义非新象征主义作品，Neo-Symbolist works versus non-Neo-Symbolist works，2025，综合材料，Mixed media，尺寸可变，Variable size
 

临界之地
 

“临界”是生成的间隙，是一种未完成状态的延宕。等待、犹疑、试图沟通但尚未落定的瞬间，《临界之地》意在呈现那些持续游弋于边缘，悬置在双重身份张力之中的自我实践。展览诞生于北京与纽约，由两个城市迥异的文化相互照见，在生命体验中不断被冲突、并置、交叠。展览所意图抵达的，不是某种稳定的意义结构，而是这些尚未完成之物自身的感性张力与存在逻辑。这是一次关于靠近的展览尝试，地铁是展览的起点，希望这个展览像一节开放的地铁列车。
 

“Threshold”is the interval of becoming, a prolonged state of incompletion. Waiting, hesitation, the attempt to communicate without yet arriving—At the Threshold aims to present self-practices that linger on the margins, suspended in the tension of dual identities. The exhibition was born between Beijing and New York, where two vastly different cultural systems reflect upon one another, continually clashing, juxtaposing, and intertwining within lived experience.The exhibition does not seek to arrive at a stable structure of meaning, but rather dwells in the perceptual tension and existential logic of things unfinished. It is a curatorial attempt at drawing close.The subway is the starting point of the exhibition. Hope this exhibition is like an open subway car.
 

李泽远，覆，EROSION，2025，单频影像，Single video
 

李植深，启程，Set Out，2025，数码绘画，Digital painting，48x33cm
 

乔丹潼，苒苒，Ranran，2025，综合材料，Mixed media，300x300cm _ 整组
 

隋宜达，那些坐在我面前的美国人！，Those Americans sitting in front of me!，2025，C-print，尺寸可变，Variable size
 

王博，流离帖，Wandering Post，2023，摄影拼贴，Photography Collage，45x1860cm
 

吴天酬，疯狂深邃之海与山林之夜，The Crazy Sea of Depths and the Night of Mountain Forests，2025，木板丙烯，Acrylic on wood board，90x90cm
 

杨清如，无题之一，Untitled No.1，2025，数码绘画，Digital painting，50x38.5cm
 

 

潘晟熹（Mason Pan）

独立策展人 | 艺术研究者
 

现就读于南加州大学的潘晟熹（Mason Pan），是一位活跃于北京与纽约之间的独立策展人。他的研究与实践聚焦全球化语境下的艺术生产，致力于推动中国当代艺术的国际对话。Mason的策展实践涵盖公共艺术、社区参与和跨文化交流等多个领域。他曾参与纽约华埠及布鲁克林地区的壁画修复项目，并策划"讲故事的人"等展览，探索艺术与社会空间的互动关系。目前，他正专注于数字时代的艺术传播研究，持续思考当代艺术连接不同文化语境的可能性。
 

Pan Shengxi (Mason Pan)

Independent Curator | Art Researcher

Currently studying at the University of Southern California, Pan Shengxi (Mason Pan) is an independent curator working between Beijing and New York. His research and practice focus on artistic production in global contexts, with particular emphasis on facilitating international dialogue for Chinese contemporary art.Mason's curatorial practice spans public art, community engagement and cross-cultural exchange. His projects include mural restoration initiatives in New York's Chinatown and Brooklyn neighborhoods, as well as exhibitions like "Storytellers" that examine the interplay between art and social spaces.Currently, he is researching art dissemination in the digital age while exploring contemporary art's potential to bridge diverse cultural contexts. His work continues to investigate new paradigms for artistic exchange in our interconnected world.